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tanja engelberts

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In BLACK WELL, WHITE GOLD by @tanja_engelberts panoramic landscapes of oil-soaked forest printed in Van Dyke brown meet colour night shots of a lithium site operating in the same area. Two centuries apart, the same ground is asked for a different su
Had a lovely time @nap.plus with @galeriecarolineobreen Black well, White gold is still on display @galeriecarolineobreen
Part of the exhibition was shot during a warm summer evening, a lithium mine illuminated. BLACK WELL, WHITE GOLD Solo exhibition 🗓 5 September — 11 October 2026 Gallery Caroline O'Breen Hazenstraat 54, 1016 SR Amsterdam Wed–Fri: 12&nd
BLACK WELL, WHITE GOLD Solo exhibition 🥂 Opening Reception: 5 September, 16:00–19:00 hrs 🗓 5 September — 11 October 2026 Gallery Caroline O'Breen Hazenstraat 54, 1016 SR Amsterdam Wed–Fri: 12–6 pm, Sat: 1–6 pm, and b
A small peek into the making of these giant Van Dyke prints. Luckily, I had the expertise of @kees.brandenburg and the knowledge and space offered by @pieter_verweij and @rijksakademie, and last but not least, my lovely assistant @eef.dev. These pri
To create images that carry the sense of the past while remaining grounded in the present, I asked specialist Kees Brandenburg to work with me on Van Dyke brown prints. @kees.brandenburg a specialist in historic printing processes, advised me on whic
For me at Pechelbronn, the past and future of oil come together. Looking through the lens of the past, it is hard to see the remembrances of what once was. I've come back again and again this year, searching for traces of the past in the small museum
You can see Decom, @ 3rd edition of the (re)connecting.earth Biennial in Geneva for a view more weeks. Sensitive Resources opens 29 April in Geneva — an open-air exhibition with 17 international artists exploring natural resources, where art,
@uf_vorkurs @marla.stephens 🙏
Fluid Vigils letters across time and oceans. between refuge and exploitation. with @marla.stephens for @uf_vorkurs
Happy to participate in the 3rd edition of the (re)connecting.earth Biennial in Geniva. Sensitive Resources opens 29 April in Geneva — an open-air exhibition with 17 international artists exploring natural resources, where art, science and nat
So nice to see Forgotten seas at NATURA EXTENSA An exhibition of 120 photobooks exploring the relationship between humanity and nature — landscapes, water, earth, and the traces we leave behind. Curated by Stefania Rössl & Massimo S
Loppersum bouwt aan herinnering: Wat vertellen we onze kleinkinderen over ruim 60 jaar gaswinning? LOPPERSUM – Hoe herdenk je de zes decennia die het landschap en de levens van duizenden Groningers voorgoed hebben veranderd? Op dinsdag 7 apr
Thank you to @cameraaustriagraz, @christina.topfer for the invitation and @taco.hidde for the wonderful introduction. It was a pleasure to share some early work from my long-term research project, the Field, an exploration of 60 years of gas producti
Wat gebeurt er met de verhalen die niet in de officiële geschiedenisboeken staan? Samen met de Groninger Archieven werk ik aan het kunstproject 'Het Veld'. Samen bouwen we aan een nieuw archief over de impact van de gaswinning. Geen droge doc
Happy to be part of this exhibition and to actually see it with my own eyes. If you're in Bern, have a look at: Beautiful Giants? Architektur und Energie im Spiegel der Fotografie @kornhausforum Nuclear power plants, wind turbines, pipelines, coa
Forgotten seas, at Atlas Aquae, Visual Geographies in Photographic Publishing @osservatoriomobilenordest Curated by: @stefaniarossl, @mass_sordi (OMNE) Atlas Aquæ is a bibliographical exhibition that brings together over one hundred photogr
Place was made a long time ago, a personal memoirs of place. Feel so honoured that @marijkemelters dedicated her thoughts and time to the work. 🙏 Here is a quote from her thesis: 'Therefore, in Place, the degradation of the landscape is linked to